{"id":16,"date":"2015-01-25T13:18:58","date_gmt":"2015-01-25T13:18:58","guid":{"rendered":"http:\/\/lostinbits.com\/pauldrissen\/?page_id=16"},"modified":"2026-03-26T07:37:08","modified_gmt":"2026-03-26T07:37:08","slug":"resume","status":"publish","type":"page","link":"https:\/\/pauldrissen.nl\/?page_id=16","title":{"rendered":"CV"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitions<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2025<\/td>\nRooted in Change: DSM art collection…<\/td>\nSchunck<\/td>\nHeerlen<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\nthe underground show<\/td>\nStokker Jaeger<\/td>\nAmsterdam<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2023<\/td>\nD\u00e9j\u00e0 Vu<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\nsolo<\/td>\n<\/tr>\n
<\/td>\nShort Cuts<\/strong><\/td>\nKr\u00f6ller-M\u00fcller Museum<\/strong><\/td>\nOtterloo<\/strong><\/td>\nsolo\/cat<\/strong><\/td>\n<\/tr>\n
2022<\/td>\nLimburg Biennale (curator\/deelnemer)<\/td>\nMarres<\/td>\nMaastricht<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2020<\/td>\nMeanwhile…<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2019<\/td>\nPrivate View<\/td>\nHuize Frankendael<\/td>\nAmsterdam<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n\u00c9talage Sentimental 2<\/td>\nMw 139 Mehrwert etalage<\/td>\nAachen D<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2018<\/td>\nThe Present, Present, Present.<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\nsolo<\/td>\n<\/tr>\n
<\/td>\nMonumental Riso<\/td>\nVan Eyck<\/td>\n\u00a0Maastricht NL<\/td>\ngroup<\/td>\n<\/tr>\n
2017<\/td>\n‘Crossroads’<\/td>\n1e Chengdu Biennale: ‘ Today’s Yesterday’<\/td>\n\u00a0Chengdu CHN<\/td>\n\u00a0biennale\/cat<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n\u00a0Amsterdam<\/td>\n\u00a0group<\/td>\n<\/tr>\n
2016<\/td>\nWorks on paper<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n‘DO BOOMERANGS ALWAYS COME BACK?<\/td>\n‘Forum Triangulare, Castle D’Aspremont.<\/td>\nOud-Rekem B<\/td>\ngroup\/cat<\/td>\n<\/tr>\n
<\/td>\n‘Soli Deo Gloria’<\/td>\nLutherse kerk<\/td>\nMaastricht<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n\u00a0: \u00a0gerlach & koop<\/td>\nBonnefantenmuseum<\/td>\nMaastricht<\/td>\ncurated groupshow<\/td>\n<\/tr>\n
2015\/2016<\/td>\nDr\u00e9 Devens, Paul Drissen, Nico Yerna<\/td>\nCCHA<\/td>\nHasselt B<\/td>\ntrio\/cat.<\/td>\n<\/tr>\n
\u00a02015<\/td>\nboogje boogje lijn lijn vlak kleur punt.<\/strong><\/td>\nProject Space Tilburg\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (SEA-Foundation)<\/strong><\/td>\nTilburg<\/strong><\/td>\nsolo\/cat.<\/strong><\/td>\n<\/tr>\n
<\/td>\nPaul Drissen<\/td>\nDSM & Art<\/td>\nSittard<\/td>\nsolo<\/td>\n<\/tr>\n
<\/td>\nSymposion<\/td>\nGorinchem<\/td>\nGorinchem<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\nAbstract Wallpaintings<\/td>\nACEC<\/td>\nApeldoorn<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\nSomething Promising<\/td>\nB32\/Master-apprentice KunstpodiumT<\/td>\nMaastricht\/Tilburg<\/td>\ngroup\/project<\/td>\n<\/tr>\n
2014<\/td>\nAirtravelling Maastricht<\/td>\nStreamcolors<\/td>\nMilaan I<\/td>\ngroup\/project<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n‘Cruising along the ocean’<\/td>\nB32<\/td>\nMaastricht<\/td>\ngroup<\/td>\n<\/tr>\n
2013<\/td>\n<\/td>\n<\/td>\n<\/td>\nFair<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\nFair<\/td>\n<\/tr>\n
<\/td>\n‘Studioprojects’<\/td>\ngalerie Slewe<\/td>\nAmsterdam<\/td>\nSolo<\/td>\n<\/tr>\n
2012<\/td>\n‘Voor eeuwig de jouwe’<\/td>\nSchunck<\/td>\nHeerlen<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n‘Telling Stories’<\/td>\nAKKuH<\/td>\nAlmelo<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nOn a clear day’<\/td>\nBonnefantenmuseum<\/td>\nMaastricht<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n‘Evolutie’<\/td>\nMondriaanhuis<\/td>\nAmersfoort<\/td>\nGroup<\/td>\n<\/tr>\n
2011<\/td>\n‘Een I strijdend om \u00e9\u00e9n punt’<\/td>\nSchunck<\/td>\nHeerlen<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n‘Electricity’<\/td>\nArti&Amacitae<\/td>\nAmsterdam<\/td>\nGroup<\/td>\n<\/tr>\n
2010<\/td>\nPaul Drissen; ‘new work’<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\nSolo<\/td>\n<\/tr>\n
2009<\/td>\n‘Jeugdzonde’ Over opus min 1′<\/td>\nHedah<\/td>\nMaastricht<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n‘Alpha’<\/td>\ngalerie Drei<\/td>\nKeulen D<\/td>\nGroup<\/td>\n<\/tr>\n
2008<\/td>\n‘Once in a Lifetime’<\/td>\nMax Mayer \/ FGS \/ ZKM<\/td>\nKarlsruhe D<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n‘\u00dcber die\u00a0Einsamkeit abstracter Bilder‘<\/u><\/td>\nMehrwert<\/td>\nAachen D<\/td>\nSolo<\/td>\n<\/tr>\n
<\/td>\n‘Glocal Affairs’<\/td>\nTimmerfabriek<\/td>\nMaastricht<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n‘What Time is it’?<\/td>\nHedah<\/td>\nMaastricht<\/td>\nGroup<\/td>\n<\/tr>\n
2007<\/td>\nBlokken; ‘think outside the box’!<\/em><\/td>\nT Brandweer<\/td>\nMaastricht<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nNEST-03<\/td>\nDCR<\/td>\nDen Haag<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\n‘Ghostpainting’<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\nSolo<\/td>\n<\/tr>\n
<\/td>\n‘Colored’<\/td>\nopeningsexhibition W139<\/td>\nAmsterdam<\/td>\nGroup<\/td>\n<\/tr>\n
2006<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nVan Appel tot Zandvliet<\/td>\n20 jaar Stadsgalerij<\/td>\nHeerlen<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nAnything but homeless, NOG-collectie<\/em><\/td>\nPand Paulus<\/td>\nSchiedam<\/td>\nGroup<\/td>\n<\/tr>\n
2005<\/td>\nMelodernia<\/strong><\/td>\nStadsgalerij (Schunck)<\/strong><\/td>\nHeerlen<\/strong><\/td>\nSolo<\/strong><\/td>\n<\/tr>\n
2004<\/td>\nEcho (deel2), duo-tentoonstelling met Andre Kruysen<\/td>\nArchipel<\/td>\nApeldoorn<\/td>\nDuo<\/td>\n<\/tr>\n
<\/td>\nSpanibowo<\/strong><\/td>\nMarres, centrum voor contemporaine cultuur<\/strong><\/td>\nMaastricht<\/strong><\/td>\nSolo<\/strong><\/td>\n<\/tr>\n
<\/td>\nIn Utopia<\/td>\nGalerie Slewe<\/td>\nAmsterdam<\/td>\nSolo<\/td>\n<\/tr>\n
2003<\/td>\nBeter een vogel in de hand….. een keuze uit aankopen<\/em><\/td>\nGemeentemuseum<\/td>\nDen Haag<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nDe Inhuizing<\/td>\nStadsgalerij<\/td>\nHeerlen<\/td>\nGroup<\/td>\n<\/tr>\n
2002<\/td>\nPaul Drissen, Krijn de Koning<\/em><\/td>\nSlewe<\/td>\nAmsterdam<\/td>\nDuo<\/td>\n<\/tr>\n
<\/td>\nIs de schilder happy?<\/td>\nColl. Oce vd Grinten<\/td>\n<\/td>\nGroup<\/td>\n<\/tr>\n
2001<\/td>\nHet Stedelijk Paleis<\/td>\nStedelijk Museum<\/td>\nAmsterdam<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nRegeneration<\/td>\nIKOB<\/td>\nEupen (B)<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nOpstelling eigentijdse kunst<\/td>\nHaags gemeente museum<\/td>\nDen Haag<\/td>\n4xsolo<\/td>\n<\/tr>\n
1999<\/td>\nGlad IJs: Een keuze uit 20 jaar aanwinsten<\/td>\nStedelijk museum<\/td>\nAmsterdam<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nPaul Drissen<\/td>\nSlewe<\/td>\nAmsterdam<\/td>\nSolo<\/td>\n<\/tr>\n
1998<\/td>\nCor Dera, Paul Devens, Paul Drissen, Michel vd Heyden<\/td>\nStadsgalerij<\/td>\nHeerlen<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nWahlverwandschaften<\/td>\nCasino Luxemburg<\/td>\nLuxemburg<\/td>\nGroup<\/td>\n<\/tr>\n
1997<\/td>\nPaul Drissen<\/td>\nArt&Project<\/td>\nSlootdorp<\/td>\nSolo<\/td>\n<\/tr>\n
<\/td>\nPatrons of art<\/td>\nPoesjkin Museum<\/td>\nMoskou (RU)<\/td>\nGroup<\/td>\n<\/tr>\n
1996<\/td>\nSublieme vormen met zicht vanaf 5m<\/td>\nStedelijk museum<\/td>\nAmsterdam<\/td>\nGroup<\/td>\n<\/tr>\n
<\/td>\nPaul Drissen<\/td>\nGalerie Greta Meert<\/td>\nBrussel (B)<\/td>\nsolo<\/td>\n<\/tr>\n
<\/td>\nPaul Drissen<\/strong><\/td>\nBonnefantenmuseum<\/strong><\/td>\nMaastricht<\/strong><\/td>\nSolo<\/strong><\/td>\n<\/tr>\n
1995<\/td>\nPaul Drissen<\/td>\nArt&Project<\/td>\nSlootdorp<\/td>\nSolo<\/td>\n<\/tr>\n
1994<\/td>\nDe Ateliers, 1985-1993<\/td>\nPaleis v. Schone Kunsten<\/td>\nBrussel (B)<\/td>\ngroup<\/td>\n<\/tr>\n
1992<\/td>\nFirst Blossom<\/td>\nArt&Project,\/Van Krimpen<\/td>\nRotterdam<\/td>\nSolo<\/td>\n<\/tr>\n
1991<\/td>\nPeiling \u201991<\/strong><\/td>\nGemeente Museum<\/strong><\/td>\nDen Haag<\/strong><\/td>\nGroup<\/strong><\/td>\n<\/tr>\n
1989<\/td>\nPaul Drissen \/ KunstPause<\/em><\/td>\nNeuer Aachener Kunstverein<\/td>\nAachen<\/td>\nSolo<\/td>\n<\/tr>\n
1989<\/td>\nPro Forma<\/td>\nEindexpo Academie v. Beeldende kunst, Kruisheren klooster<\/td>\nMaastricht<\/td>\ngroup<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Literature<\/strong><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Holman, E.<\/td>\nEen mooi rond verhaal<\/em>, interview met C. Romijn<\/td>\nRooted in Change,<\/td>\n26.10.2025<\/td>\n<\/tr>\n
Hendrix, Niek<\/td>\nKr\u00f6ller-M\u00fcller: Paul Drissen- Short Cuts<\/em><\/td>\nLost Painters<\/td>\n10.01.2024<\/td>\n<\/tr>\n
Cobben,\u00a0Rob<\/td>\nInterview : Kunstenaar Paul Drissen: Van een goed schilderij krijg je een kick<\/em><\/td>\nDagblad De Limburger<\/td>\n09 2023<\/td>\n<\/tr>\n
Schoonen, Rob<\/td>\nPaul Drissen \/ Short Cuts<\/td>\nZout Magazine 9<\/td>\n09. 2023<\/td>\n<\/tr>\n
K\u00f6ke, Linda<\/td>\nProces, magie, weerstand en tijd:\u00a0een portret van Paul Drissen.<\/span><\/em><\/td>\n\u00a0MetropolisM; Feature<\/em>.<\/td>\n14.09.2023<\/td>\n<\/tr>\n
Fuchs, R.H.<\/td>\nZonder ernst\/ Without gravity<\/span><\/td>\nHerpublicatie in : Short Cuts, Kr\u00f6ller-M\u00fcller Museum<\/td>\n15\/06\/2023<\/td>\n<\/tr>\n
Van Asseldonk, Joanna<\/td>\nShort Cuts<\/td>\nKr\u00f6ller-M\u00fcller Museum<\/td>\n15\/06\/2023<\/td>\n<\/tr>\n
Hendrix, Niek<\/td>\nPaul Drissen, The Present, Prensent, Present.<\/em><\/td>\nLost Painters, Herpublicatie in : Short Cuts, Kr\u00f6ller-M\u00fcller Museum<\/td>\n15\/06\/2023 en 28\/11\/2018<\/td>\n<\/tr>\n
Yinghua Lu, Carol<\/td>\nCrossroads<\/i>, in ‘Today’s Yesterday’<\/td>\n1e Anren Biennale, CHN<\/td>\n2017<\/td>\n<\/tr>\n
Nouwen, Luc<\/td>\nDe gereduceerde ruimte<\/td>\nCCHA, Hasselt, B<\/td>\n10\/10\/2016<\/td>\n<\/tr>\n
Hendrix, Niek<\/td>\n‘SeaFoundation: Paul Drissen<\/em><\/td>\nLost Painters<\/td>\n2015<\/td>\n<\/tr>\n
Bosch, van den Paula<\/td>\nBringing it home<\/td>\nboogje boogje lijn lijn kleur vlak punt.\/SEA-Foundation<\/td>\n10\/10\/2015<\/td>\n<\/tr>\n
Vossebelt, Joep<\/td>\nSolo Deo Gloria<\/td>\nKunsttour 2016<\/td>\n10\/10\/2016<\/td>\n<\/tr>\n
Van Dun, Ko<\/td>\nVoorlopige schilderkunst<\/td>\nArtUpdate.nl<\/td>\n5\/12\/2013<\/td>\n<\/tr>\n
Fuchs, R.H.<\/td>\nZonder ernst<\/td>\nDe Groene Amsterdammer<\/td>\n24\/10\/2013<\/td>\n<\/tr>\n
van den Bosch P.<\/td>\nOn a clear day<\/td>\nBonnefanten<\/td>\n2012<\/td>\n<\/tr>\n
Geerling Let<\/td>\ntelling stories<\/td>\nAkkuH<\/td>\n2012<\/td>\n<\/tr>\n
Ottevanger A<\/td>\n‘Evolutie’<\/td>\nMondriaanhuis<\/td>\njan. 2012<\/td>\n<\/tr>\n
Boogert D vd<\/td>\n‘Elelectricity’<\/td>\nArti<\/td>\njan. 2011<\/td>\n<\/tr>\n
Haar, Lene ter<\/td>\nEen I treurend om een punt<\/td>\nSchunck<\/td>\n2011<\/td>\n<\/tr>\n
Dijkststerhuis E.<\/td>\nRuimte voor risico<\/td>\nFinanciele Dagblad<\/td>\nfeb.2007. pp 18-19<\/td>\n<\/tr>\n
Fuchs, R.H.,Tuyl, G. Imanse, G.<\/td>\nAanwinsten 1993-2003<\/td>\nStedelijk Museum Amsterdam<\/td>\n2006<\/td>\n<\/tr>\n
Veen, C.vd<\/td>\nAnything but homeless<\/td>\nCollectie NOG<\/td>\n2006<\/td>\n<\/tr>\n
Romijn C.<\/td>\nGhostpainting<\/td>\nDSM&ART<\/td>\n2006<\/td>\n<\/tr>\n
Jansen, Gregor<\/td>\nOngewoon mooi, de revival van formele kunst<\/em><\/td>\nMetropolisM<\/td>\n2005 Nr.4 pp 59-64<\/td>\n<\/tr>\n
van der Lugt, P.<\/td>\nInleiding<\/td>\nMelodernia, Schunck \/ Stadsgalerij Heerlen<\/span><\/td>\n2005 p. 8<\/td>\n<\/tr>\n
Lambrecht, L.<\/td>\nSchilderkunst die is wat ze (niet) is \/ Painting that is what it is (not)<\/span><\/td>\nMelodernia, Schunck \/ Stadsgalerij Heerlen<\/span><\/td>\n2005 pp. 10-13<\/td>\n<\/tr>\n
Jansen, G.<\/td>\nConstructie is moderne kunst is wereldbeschouwing\/ Construction is modern art is world view<\/span><\/td>\nMelodernia, Schunck\/\u00a0Stadsgalerij Heerlen<\/span><\/td>\n2005 pp. 44-64<\/td>\n<\/tr>\n
, Janssen, H., \u00a0,<\/td>\nEen nostalgische beweging voorwaarts, over het werk van Paul Drissen \/ A nostalgic move forward, the Work of Paul Drissen<\/span><\/td>\nMelodernia, Schunck\/Stadsgalerij Heerlen<\/span><\/td>\n2005 pp. 21-41<\/td>\n<\/tr>\n
Holman, E.<\/td>\nSchilderijen voor de geduldige kijker<\/td>\nDagblad de Limburger<\/td>\n22-03-2005<\/td>\n<\/tr>\n
Spaninks, A.<\/td>\nVoortgaan op oude wegen<\/td>\nKunstbeeld<\/td>\nnr.2 2005 jrg.29 pp.32-33<\/td>\n<\/tr>\n
Staaten, E.<\/td>\nAbstracte kunst<\/td>\nEcho 123<\/td>\nArchipel, Apeldoorn.2004<\/td>\n<\/tr>\n
Beek, W.,vd.<\/td>\nBijzonder samenwerkingsverband in Archipel<\/td>\nApeldoornse Courant<\/td>\n6 mei 2004<\/td>\n<\/tr>\n
Perree, R.<\/td>\nDe opening, Paul Drissen<\/td>\nKunstbeeld<\/td>\nnr.4 jrg.28 p. 54<\/td>\n<\/tr>\n
Romijn, C.<\/td>\nKoninklijke goedkeuring voor Paul Drissen<\/td>\nLimburgs Dadblad<\/td>\n20 januari 2001<\/td>\n<\/tr>\n
Lugt P. vd., Goede, de, J.<\/td>\n\u2019paul drissen in collectiecatalogus\u201daankopen 1991-2000<\/em><\/td>\nStadsgalerij Heerlen<\/td>\n2000<\/td>\n<\/tr>\n
Janssen, H.<\/td>\nOver enige aanwinsten van Paul Drissen, of hoe verwarring inde kunst het kijken parten spelen kan<\/td>\nJaarboek Gemeentemuseum Den Haag<\/td>\n2000, pp. 98-101<\/td>\n<\/tr>\n
Breejen M. den,<\/td>\nHet plezier van de schilder<\/td>\nHet Parool<\/td>\n2 sept. 1999<\/td>\n<\/tr>\n
Janssen, H.<\/td>\nPaul Drissen in \u2018Cor Dera, Paul Devens, Paul Drissen, Michel Vanderheijden,<\/td>\nStadsgalerij Heerlen<\/td>\n1998<\/td>\n<\/tr>\n
Boogerd, D. van den<\/td>\nPictorial contraditions, Dutch painting in the nineties<\/em><\/td>\nFlash Art<\/td>\nnr.169 jrg 30, 1997<\/td>\n<\/tr>\n
Stegeman, E.<\/td>\n\u2018Paul Drissen\u201d in \u2018Sublieme vormen met zicht vanaf 5M\u2019<\/td>\nStedelijk Museum Amsterdam<\/td>\n1996<\/td>\n<\/tr>\n
Frusch, J.<\/td>\nKrachtige kunst van Paul Drissen<\/td>\nLimburgs Dagblad<\/td>\n16 maart 1996<\/td>\n<\/tr>\n
Pieters, D.<\/td>\nGalerie; Paul Drissen<\/em><\/td>\nNRC Handelsblad<\/td>\n24 februari 1995<\/td>\n<\/tr>\n
Wesseling, J.<\/td>\nPaul Drissen<\/td>\nNRC Handelsblad<\/td>\n6 november 1992<\/td>\n<\/tr>\n
Muller, R.<\/td>\nEen schilder buiten zijn eigen schilderij<\/td>\nMetropolisM<\/td>\nnr.6 jrg3 pp 36-37<\/td>\n<\/tr>\n
Tilroe, A<\/td>\nMoedeloos makende speurtocht door het haags gemeentemuseum<\/td>\nDe Volkskrant<\/td>\n18 jan. 1992<\/td>\n<\/tr>\n
Janssen, H.<\/td>\nTen geleide in:\u00a0Peiling ’91<\/em><\/td>\nGemeente museum Den Haag<\/td>\n\u00a009. 1991<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Exhibitions 2025 Rooted in Change: DSM art collection… Schunck Heerlen group the underground show Stokker Jaeger Amsterdam group 2023 D\u00e9j\u00e0 Vu Slewe Amsterdam solo Short Cuts Kr\u00f6ller-M\u00fcller Museum Otterloo solo\/cat 2022 Limburg Biennale (curator\/deelnemer) Marres Maastricht group 2020 Meanwhile… Slewe Amsterdam group 2019 Private View Huize Frankendael Amsterdam group \u00c9talage Sentimental 2 Mw 139 Mehrwert […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":13,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-16","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=\/wp\/v2\/pages\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16"}],"version-history":[{"count":61,"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=\/wp\/v2\/pages\/16\/revisions"}],"predecessor-version":[{"id":2891,"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=\/wp\/v2\/pages\/16\/revisions\/2891"}],"wp:attachment":[{"href":"https:\/\/pauldrissen.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}